but the combination of the two : perfection.
today was a tough day. got a case of the overall blues. anxiety overload. feel like something's about to change. this should be a good thing - perhaps the neverending job hunt will finally come to a peak. but instead, there just sat this burden on my shoulders. this unspeakable pain in the back of my mind, like a monkey on my back. after the inevitable meltdown that's been on hold for months on end, i realized it was probably in my wisest interests to stop listening to the magnolia soundtrack on repeat and put the kleenex box away. put the cellphone down and quit anticipating a text which wouldn't come. quit stalking on facebook. fuck, i don't even know what's eating at me - maybe it's just my new birth control mixing up my horomones like a kamikaze cocktail. whatever it is, i hadn't felt in this rough of shape since high school in the lonely angsty fields of argyle, wisconsin.
once i popped the last resort necessity anxiety meds and washed my face, i swapped the ipod to the new junip cd. i had to write a preview for innerview this morning as mr. jose gonzalez and his back up duo will be hitting up lincoln hall in november. i had downloaded their free internet ep last month, and i've been revisiting gonzalez's breakout debut record veneer more often than not lately, but i hadn't checked out the debut junip full length release, fields until a few hours ago when i was chugging iced red eyes at the local cafe in my job hunt.
even if yer not an anxious nutjob like me, you'd have to be deaf or emotionless to not enjoy this record. with the combination of gonzalez's slow, sleepy vocal melodies and classical guitarwork, his band channels african and spanish elements into his easy, folk-lite rhythms. it's extremely chill, and easy to see how gonzalez has earned such international acclaim since his breakout success of the 2005 cover of the knife's 'heartbeats.' swedish by argentinian descent, gonzalez is all over the map with his different musical influences, yet meets the listeners halfway with his relaxed and gorgeous orchestration. typically, i get tired very quickly of guitarists with light vocals - but something about gonzalez's delivery is mysteriously enchanting and romantic. (i swear this isn't just the valium speaking - this album is damned gripping to put it lightly).
it's albums like this that i wait for. the sleepy surprises that you would never anticipate to creep on your top ten lists. the unexpected movers and seductive listening pleasures - no album since veneer has had the same effect on me. so bravo, gonzalez and crew. you and only you have succeeded in helping me breathe normally and loosen the deathly tight grip i've had around my ragged teddybear's neck the past two hours. now i think i can finally sleep easy, and maybe even relax.
i heart jose. and junip. but especially fields. this is a pretty and mesmerizing album. please go listen to it now. you can stream it on myspace (yes, myspace) in completion here: http://www.myspace.com/junip/music/albums/fields-16498472?ap=1
. be prepared to intercept several spelling errors, lower caps and grammatically incorrect phrases and words that don’t mean what I want them to (at least according to that ho-bag Merriam Webster, anyway).
Showing posts with label jose gonzalez. Show all posts
Showing posts with label jose gonzalez. Show all posts
Wednesday, October 20, 2010
Wednesday, July 7, 2010
Revisited : Veneer
oh man. i don't know how or why, but i totally forgot how amazing jose gonzalez's debut solo lp Veneer is. of argentinian descent, this swedish folk musician composed beautiful and delicate acoustic guitar melodies topped with his soft, yet majestic vocal work. very bare and minimal, he proves you don't need a whole horse and pony show to make incredible music. this record came out in 2005, and i had discovered it my last summer working in wisconsin dells during my stint as music director at wrst. not hearing anything about him or the album, i had just picked his disc by random out of the new arrival bin. put it in not expecting anything. . . and got so much out of it it was instantly one of my favorite albums of the year.
tracks like 'crosses,' 'lovestain' and of course, his rendition/remake of the knife's 'heartbeat' (omg this song SLAYS ME) are incredible and strong enough to carry the album on their own. he's a beautiful musician. eloquently crafted, i can't give him enough praises. i lost my physical copy of the record a few years ago, but after streaming mpr the current the other day, i heard a new track from his side project junip - (who also rules, btw and you can download their entire ep in exchange for signing up for their mailing list here: http://www.junip.net/ ).
if ya'll don't know jose, you can download veneer here. it truly is a beautiful and soft jam kinda record.
tracks like 'crosses,' 'lovestain' and of course, his rendition/remake of the knife's 'heartbeat' (omg this song SLAYS ME) are incredible and strong enough to carry the album on their own. he's a beautiful musician. eloquently crafted, i can't give him enough praises. i lost my physical copy of the record a few years ago, but after streaming mpr the current the other day, i heard a new track from his side project junip - (who also rules, btw and you can download their entire ep in exchange for signing up for their mailing list here: http://www.junip.net/ ).
if ya'll don't know jose, you can download veneer here. it truly is a beautiful and soft jam kinda record.
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